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Book Title: Ciudadano Welles|
The author of the book: Orson Welles
The size of the: 19.92 MB
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Reader ratings: 6.4
Date of issue: 1995
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Format files: PDF
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In 1992, the first publication of This Is Orson Welles brought a priceless document to light. In the late '60s and early '70s, filmmaker Peter Bogdanovich had conducted extensive interviews with Welles, but a number of circumstances--including the director's decision to compose an autobiography that he never got around to writing--kept the interviews out of the public eye. Edited and annotated by Jonathan Rosenbaum, these conversations give wonderful insights into Welles's craft and personality. He discusses his forays into acting, producing, and writing as well as directing, his confidences and insecurities, and his plans for film projects that were either never made or only partially completed. He also offers insights into the triumph of Citizen Kane and later masterpieces like The Lady from Shanghai, Touch of Evil, Othello, and Chimes at Midnight. His defense of his controversial adaptation of Kafka's The Trial is so fascinating that readers might want to rush out and rent the film.
While the book is worth owning just for this 322-page interview, it is also full of other material that is equally revealing. Rosenbaum presents a meticulous chronology of Welles's life, closely following his day-to-day activities from his birth in 1915 to his death in 1985. Anyone who thinks that Welles was an essentially lazy and profligate artist will be astonished at how hard he worked and how much he accomplished, even after the completion of Citizen Kane. Another treat found in the book is a detailed description--complete with rare photographic stills--of the original Magnificent Ambersons, Welles's impressive follow-up to Kane, which can now be seen only in a tragically truncated version.
This 1998 reissue of the volume contains a fond new introduction by Bogdanovich and another crucial piece of Welles minutia, excerpts from his 58-page memo to Universal Pictures about the editing of Touch of Evil. Forty years after its composition, the material in this memo has been used to create a restored "director's cut" of the film. With such grand material between two covers, This Is Orson Welles is the most informative and entertaining book available on one of the 20th century's greatest artists. --Raphael Shargel
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Read information about the authorGeorge Orson Welles, best known as Orson Welles, was an American film director, actor, theatre director, screenwriter, and producer, who worked extensively in film, theatre, television and radio. Noted for his innovative dramatic productions as well as his distinctive voice and personality,
Welles is widely acknowledged as one of the most accomplished dramatic artists of the twentieth century, especially for his significant and influential early work—despite his notoriously contentious relationship with Hollywood. His distinctive directorial style featured layered, nonlinear narrative forms, innovative uses of lighting such as chiaroscuro, unique camera angles, sound techniques borrowed from radio, deep focus shots, and long takes.
Welles's long career in film is noted for his struggle for artistic control in the face of pressure from studios. Many of his films were heavily edited and others left unreleased. He has been praised as a major creative force and as "the ultimate auteur."
After directing a number of high-profile theatrical productions in his early twenties, including an innovative adaptation of Macbeth and The Cradle Will Rock, Welles found national and international fame as the director and narrator of a 1938 radio adaptation of H. G. Wells's novel The War of the Worlds performed for the radio drama anthology series Mercury Theatre on the Air. It was reported to have caused widespread panic when listeners thought that an invasion by extraterrestrial beings was occurring. Although these reports of panic were mostly false and overstated, they rocketed Welles to instant notoriety.
Citizen Kane (1941), his first film with RKO, in which he starred in the role of Charles Foster Kane, is often considered the greatest film ever made. Several of his other films, including The Magnificent Ambersons (1942), The Lady from Shanghai (1947), Touch of Evil (1958), Chimes at Midnight (1965), and F for Fake (1974), are also widely considered to be masterpieces.
In 2002, he was voted the greatest film director of all time in two separate British Film Institute polls among directors and critics, and a wide survey of critical consensus, best-of lists, and historical retrospectives calls him the most acclaimed director of all time. Well known for his baritone voice, Welles was also an extremely well regarded actor and was voted number 16 in AFI's 100 Years... 100 Stars list of the greatest American film actors of all time. He was also a celebrated Shakespearean stage actor and an accomplished magician, starring in troop variety shows in the war years.
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